It’s also been a challenge to find sponsors for a limited series podcast that won’t have much time to build an audience and awareness before it’s over, Hildonen said. … We’re making this up as we go - that’s part of the fun and excitement, I think.” The biggest challenge is a creative challenge, which is there are no visuals at all, so a lot of the things that you would see on the stage you can’t do or you have to have another way to say that, either through dialogue or through song or through sound design.
Once in a lifetime love free#
“Podcasts are free to listen to, no matter who you are or where you are. It’s in production now with a crowdfunding campaign underway that they hope can offset marketing, studio time and other costs.Įpisodes are planned to be 15 to 25 minutes each.Īccessibility is the biggest benefit to the format, Michaud said. While it’s set in Maine, “we did that very intentionally to bring in voices from other regions,” Hildonen said. The project began in April 2020 with Hildonen writing the script and lyrics and Michaud, 31, composing the music.Īctresses Becca Lewis, right, and Sam Dedian rehearse as Faith and Charlie in the upcoming podcast musical, “Once in a Lifetime: A COVID Love Story.” Submitted photoįaith and Charlie are played by actresses Becca Lewis of Biddeford, and Sam Dedian of Saco, with the cast rounded out with people from all over the country, many of them members of one character’s virtual COVID-19 support group. In a later song, “there’s a line: ‘This uncertainty gets the best of me.'” “It’s this great, optimistic, looking toward the future song and one of the things we really liked when we first started is that it’s almost a happy ending song.”Įxcept in this case, “things are about to get real,” she said.
“When the listener first meets the characters (Faith and Charlie), it’s the end of the second date and there’s a little bit of awkward conversation before it launches into a song that would normally be at the end of a musical,” said Hildonen, 37. But the more they were inspired by real life, the more “Once in a Lifetime” took root. The frequent collaborators and heads of LinCo Media didn’t set out to write this musical, or a podcast - COVID-19 temporarily derailed a new production they’d planned to stage in 2020. I moved painfully, an ambulatory case, mysteriously injured.Their tale, “Once in a Lifetime: A COVID Love Story,” is a new will-they-or-won’t-they podcast musical by Linda Hildonen of Lisbon Falls and Colby Michaud of Sabattus unfolding over six weeks, starting in September, with a new original song in each episode. I had become excessively tender to all the more obvious evidences of the frailness of existence I was capable of dissolving at the least kind word, and self-pity, in inexhaustible doses, lay close to my outraged surface. It became particularly dangerous for me to go near movies in which crippled girls were healed by the unselfish love of impoverished bellhops. I found myself horribly susceptible to small animals, ribbons in the hair of little girls, songs played late at night over lonely radios. My world acquired a tendency to crumble as easily as a soda cracker. I was experincing, apparently, an obscure crisis of some kind. What was it that all my life I had so carefully guarded myself against? What was it that I had felt so threatened me? My suffering, which seemed to me to be a strict consequence of having guarded myself so long, appeared to me as a kind of punishment, and this moment, which I was now enduring, as something which had been delayed for half a lifetime. It seemed to me that for the first time in my life I had been in love, and had lost, because of the grudgingness of my heart, the possibility of having what, too late, I now thought I wanted. There was a feeling of weakness, a sort of powerlessness now, as though I were about to be ill but was never quite ill enough, as though I were about to come down with something I did not quite come down with. “I made spasmodic efforts to work, assuring myself that once I began working I would forget her. Rise Up and Salute the Sun: The Writings of Suzy Kassem To really secure the very best setting in the afterlife, the vibrations of your good deeds must surpass your death.” After all, does it make sense for all souls, good or bad, to end up in the same place? Of course not. Regardless of your chosen faith, there is a measurement system to be found in all of the world's religions. Your aim is to make sure the right book on your shoulder weighs more that the bad book on the left. The trick is, to always strive to be the right person in all situations – regardless of personal cost to you. The hardest part, is dealing with all the obstacles that prevent smooth sailing. Engrave it in your mind that life is just one big board game where you have to make it from start to finish by being good. The first, is to seek Truth throughout our lifetime. “There are two missions we are obligated to carry out during our life journey.
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